Tórtola Valencia, José Zamora, and the art of queer collaboration

Abstract

ABSTRACT This article assembles and analyzes an archive of texts and images that attest to the interactions of the modern dancer Carmen Tórtola Valencia and the illustrator José (Pepito) Zamora between 1914 and 1917. Their relationship emerges from the archive as a collaboration whose queerness hinges on their performances of non-normative gender, rumors concerning their homosexual inclinations, and their joint efforts to increase their celebrity and nourish their creative work. Tórtola and Zamora cultivated their queer personas and drew attention to their art by associating with one another. Their queerness and creativity were a shared endeavor that issued from and fed into a series of public performances, dances, costume designs, illustrations, and novels. Studying this collaboration requires a methodological shift in relation to previous scholarship on early twentieth-century Spain, which has tended to segregate research on male homosexuality from work on female homosexuality or lesbianism. Today there is a growing need to recognize the rich interactions between individuals who occupied different positions on spectra of sex, gender, and sexuality in modern Spain. Tórtola and Zamora have been largely overlooked in existing studies of male or female homosexuality; they are more at home in an examination of queer culture.