Abstract
ABSTRACT This essay pays mournful tribute to Laura Marcus through a reading of Hilda Doolittle's extrapolations of Freudian psychoanalysis, an area of scholarship pioneered by Marcus. Examining the dream-like shapes of H.D.’s writing on Freud in Tribute to Freud and her own oneiric experiences in works such as Helen in Egypt, it elaborates on what H.D. called ‘the hieroglyph of the unconscious’, cinematic realms of projection which bear testimony to ineffable events that seem to occur outside of time.
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