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Abstract
This work gives an account of his investigation in 2014 that deals with the description and characterization of the general treatment of the photograph in three newspaper portals sponsored by the Universidade do Porto with high standards of quality (P3, JPN and Ciencia 2.0). On the methodological choice of content analysis, using as a tool for data collection a book of multidimensional codes own comes to the conclusion that there are strengths and gaps between the three common means object of study, which do not differ in excess of those detected by other studies to professional media digital press.The main strengths with a high degree of use of photographic content, layout and correct consistency interactivity. Next to the abuse of very small photographs, the main problem identified is that the pictures have very little information value, limited in most cases to a decorative function.
Highlights
This work gives an account of his investigation in 2014 that deals with the description and characterization of the general treatment of the photograph in three newspaper portals sponsored by the Universidade do Porto with high standards of quality (P3, JPN and Ciência 2.0)
On the methodological choice of content analysis, using as a tool for data collection a book of multidimensional codes own comes to the conclusion that there are strengths and gaps between the three common means object of study, which do not differ in excess of those detected by other studies to professional media digital press.The main strengths with a high degree of use of photographic content, layout and correct consistency interactivity
To the abuse of very small photographs, the main problem identified is that the pictures have very little information value, limited in most cases to a decorative function
Summary
El diseño de la prensa digital ha experimentado durante los últimos años un cambio de tendencia que otorga mayor preponderancia al componente visual respecto al textual. Aun no siendo comparables los enfoques, públicos y medios materiales y humanos con los medios de comunicación profesionales, sí es cierto que una parte las publicaciones digitales universitarias más avanzadas adoptan métodos y estándares de trabajo profesionales y, en muchos casos, así como el estilo de diseño y visualidad actualmente imperante en sus “hermanos mayores”. Las secciones informativas son: Astronomía, Biología, Ciencia y Arte, Ciencia forense, Física, Geología, Historia, Matemática, Piscología, Química, Saude y Tecnología Equipo: La dirección la ostenta un profesor de la FLUP y los redactores son ex alumnos postgraduados Política sobre contenidos visuales o multimedia: sinergia entre diferentes media, estrategia multimedios, abierta a la inclusión de colaboraciones del público. La solvencia de estos tres proyectos, su diversidad de enfoques y su fuerte anclaje institucional en la CC-FLUP supone un caso excepcional dentro del ámbito universitario ibérico, y por ello, también teniendo en cuenta su posible valor representativo, se ha considerado de interés como objeto de estudio en relación al tratamiento general de la fotografía
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