Abstract
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Highlights
TRANSLATOR’S CREATIVE NATURE: A COGNITIVE MODEL OF FORMALIZATION Alla Diomidova Summary The intention of this study is to propose a new approach to the analysis of literary translation
The aim of this study is to describe Pasternak’s conceptual system that is reflected in the text of Faust translation
 îðèãèíàëüíîé ïîýçèè Ïàñòåðíàêà ìîæíî îòìåòèòü ìåòàôîðû, êîòîðûå òàêæå ÿâëÿþòñÿ ñëåäñòâèÿìè êîíöåïòóàëüíûõ ìåòàôîð âûäåëåííûõ ïðè àíàëèçå òåêñòà ïåðåâîäà: Ñàäû òîøíèò îò âåðñò çàòèøüÿ./ Ñòîëáíÿê ðàññåðæåííûõ ëîùèí/ Ñòðàøíåé, ÷åì óðàãàí, è ëèøå,/ ×åì áóðÿ, â ñèëàõ âñïîëîøèòü («Òðè âàðèàíòà» 1,88), Îí ñòàíåò êàê-íèáóäü/ Áåëåé, ÷åì áðåä, ÷åì àáàæóð («Íå òðîãàòü», 1,122), ...î ãîðå â ïðîêàçå!
Summary
Ïðîèçâåäåíèåì, òî ìîæíî äîïóñòèòü, ÷òî óñòàíîâêà ïåðåâîä÷èêà ïðè ñîçäàíèè òåêñòà ïåðåâîäà ìîæåò áûòü ñîîòâåòñòâåííî êàê ñîçíàòåëüíîé, òàê è áåññîçíàòåëüíîé. Êîëè÷åñòâî èíäèâèäóàëüíîé èíôîðìàöèè çíà÷èòåëüíî ïîâûøàåòñÿ ïðè áåññîçíàòåëüíîé óñòàíîâêå ïåðåâîä÷èêà, òàê êàê â ýòîì ñëó÷àå îí ïîä÷èíåí íå âîëå àâòîðà, à ñâîåìó áåññîçíàòåëüíîìó, èìåííî ïîýòîìó ïåðåâîä÷åñêèå òðàíñôîðìàöèè ñìûñëà îðèãèíàëà îòðàæàþò íå ñîçíàòåëüíûé ïðîèçâîë ïåðåâîä÷èêà, à ñîäåðæàíèå åãî ÈÊÏ, è â òåõ ñëó÷àÿõ, êîãäà ÈÊÏ àâòîðà è ïåðåâîä÷èêà çíà÷èòåëüíî ðàçëè÷àþòñÿ, òî ìîæíî ãîâîðèòü íå î íåòî÷íîñòè ïåðåâîäà, à î íåñîãëàñèè ïåðåâîä÷èêà ñ ìèðîâèäåíèåì àâòîðà ïîäëèííèêà, èëè î ðàñõîæäåíèè èõ çíàíèé è ïðåäñòàâëåíèé î òåìå ïðîèçâåäåíèÿ.
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