Abstract
The paper analyses the translation of film titles from English into Romanian in the context of globalisation and multiculturalism, from the perspective of translation studies, onomastics, semantics, and semiotics. With the help of concepts and precepts pertaining to the aforementioned fields, the research aims at exploring how certain film titles can be viewed as new names (novel linguistic signs) based on their specific semantic content and behaviour. Regardless of their lexical-semantic status, film titles prove to be cultural mediators, facilitating the communication of meaning (i.e., social, ethical, political, economic, etc. values) from the source language and culture to the target ones.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
