Abstract
Guangcai porcelain with its distinct export patterns is an important component of porcelain trade between China and the West. Studying the history of transformation within images used for decorating Qing Guangcai, the authors consider the historical model of visual imagery that fuses Chinese and Western culture, research the history of transformation of porcelain exports and the changes in Guangcai decoration, thus connecting porcelain aesthetics, its cultural and artistic value, and the history of foreign trade.
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