Abstract
This article examines the films of Bachir Bensaddek (Montréal la Blanche, 2016) and Raed Hammoud (T’es où Youssef, 2017 and Les Poussières de Daech, 2020) against the backdrop of an ever-increasing global trend of migration, as is evident in the Bouchard/Taylor report on “Building the Future: A Time for Reconciliation” (2008) and the 2018 Global Compact on Migration (IOM). By problematizing the homogeneity of both “home” and “host” cultures in their cinematic work on “néo-Québécois,” Bensaddek and Hammoud contribute meaningfully to how immigration and integration are inflected through the work of imagination within the Québécois context. The relevance of their transcultural films is evident in their focus on the experiences of the large, more recent group of immigrants to the francophone province from the Maghreb (North Africa). The films multiply strategies for understanding the different challenges facing new Québécois as well as providing insights into what might shore up an intercultural society.
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