Abstract
This is a review essay on three books: Paul Schrader, Transcendental Style in Film: Ozu, Bresson, Dreyer, With a New Introduction (Berkeley: University of California Press, 2018); Jeremy Begbie, Redeeming Transcendence in the Arts: Bearing Witness to the Triune God (Grand Rapids, MI: Eerdmans, 2018); and David P. Nichols, Transcendence and Film: Cinematic Encounters with the Real (Lanham, MD: Lexington 2019).
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