Abstract
Abstract Theorist Lauren Berlant defines inconvenience as an affect, one exerted by dominant forces onto subordinate populations. In the same way subordinate populations exert inconvenient affects as well, creating a dynamic of dominant and subordinate inconvenience through which social power relationships may be understood. Following this structure, this article charts the dominant and subordinate affects exerted by capitalism and trans* bodies, respectively, and how capitalist oppression responds to and shapes trans* embodiment. Through an autotheoretical lens, this relationship is here examined in the 2020 film Possessor and the 2015 film Tangerine, highlighting the points of interaction between trans*ness and capitalism's state structures of domination and oppression. Ultimately, I point to trans* joy as an affect that presents a danger to capitalism's domination, providing space for trans* persons to thrive.
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