Abstract
The article discusses Elizabethan anxieties about the increasing fluidity of social status through an examination of the servant Tranio in Shakespeare’s The Taming of the Shrew . It argues that Tranio’s informed and willing participation in this social performance embodies the anxieties about social mobility held by members of the Elizabethan elite. In contrast to other figures of social metamorphosis in the play, Tranio’s social transformation is temporary, even though, like Christopher Sly, he is transformed into a gentleman at the behest of his Lord. He must return to his servile status in the final act, however, not only because he can so successfully perform the role of master, but because he knowingly participates in his own social metamorphosis. The article suggests, in conclusion, that it is the servant’s knowledge of his own performative power that makes him a threat in Elizabethan society.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.