Abstract
The first dramatic treatment of the story of Dido and Aeneas on the Spanish stage, preceded in world-literature only by Alessandro Pazzi's Dido in Cartagine (1524), is the anonymous Tragedia de los amores de Eneas y de la Reyna Dido, preserved in what seems to be a unique copy, formerly belonging to the library of D. Francisco Manoel da Câmara, now in the National Library at Lisbon, under the signature: Varios reservados 177. Although described by Gallardo, Cañete, and, more recently, by Proença and Anselmo, this copy has remained practically inaccessible to Hispanists.
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