Tradition and Innovation in Nojis Lyrics

Abstract

Abstract: This article is devoted to the analysis of the lyrical heritage of the son of Qori Muhammadrasul Zubaydullahhoja, an intelligent and enlightened person who lived in the time of the former Soviet regime, received a madrasa education, and memorized Qurani Karim.From the 1910s to the 1980s of the former Shura era, the poet, who was engaged in active artistic creation and continued the traditional eastern classical literature under the pseudonym Noji, was repressed by the Shura state. One of the creators who had to hide their poetic works after returning to their country because they did not correspond to the ideology of the existing system. We can say that Noji’s lyrical heritage is one of the bright pages of the 20th century Uzbek classical literature. Because these beautiful ghazals did not reflect the happy life of the people of the new Soviet society under the conditions of the new system, but the broad and meaningful traditions of the classical direction, which embodied the Eastern philosophical and religious worldview, with their own skill.One of the talented individuals who secretly engaged in artistic creation during the time of the former Soviet regime and whose lyrical heritage began to be studied after the independence of our country, created under the pseudonym Noji. He lived and created in half of the nineteenth century, and the eighties of the twentieth century (1895-1989) in the Kattakorgan city, Samarkand region.