Abstract
This study will envisage the possibility of analyzing the value of 'Greekness' in the production of Giulio Paolini and Jannis Kounellis by proposing a cartographic itinerary. We will try to clarify how the use of 'Greekness' is entirely part of a reliable authorial reflection, developed since the early 1960s, extraneous to roaring and imaginative postmodern solutions.
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