Abstract
In light of the triumph of the digital photograph as the basic semantic unit of New Media, this paper investigates the response of photographic education to the culture of ubiquitous mobile and networked photography. It argues that photographic education fails to address such contemporary conditions as the crisis of the visual, the demise of the still photograph and the redundancy of the notion of authorship because it perceives the digital turn in technological terms. This paper suggests that if the digital moment in photography will be approached conceptually rather than technologically, it will present photography educators with a unique opportunity to place the study of the digital photograph at the centre of a culture which is based on reproduction, multiplication and copying.
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