Abstract
The English translation of Hartmut Rosa’s book Beschleunigung: Die Veranderung de Zeitstrukturen in der Moderne (2005a) accounts for a long-awaited investigation of the causes, manifestations and consequences of acceleration: a frequently pronounced attribute of modernity; often, however, approached in a popular and impressionistic—rather than scholarly and social scientific—fashion. Even though many readers might, and probably will, intuitively consider the study to be yet another prophetic ...
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