Abstract
This paper advances a “critical analysis of tourism representations” through examination of photographic postcards of African Americans from the South during the period 1893 to 1917. Analysis of these photographic images reveals that specific iconographic strategies were employed by postcard photographers to culturally inscribe black bodies with “Otherness”. Analysis of the postcard senders' messages reveals that these texts were often interpreted by tourists as interchangeable images of the mythic Old South or as attempts at humor. These images positioned black subjects in a racist regime of representation that constructed subjectivities for those depicted and identities for their viewers.
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