Abstract
Abstract. Humans avoid thinking about death, yet they often watch tragic movies in which the main characters die. Seeking to explain this paradox, this research assessed conditions that motivate narrative processing of tragic movies about the loss of a loved one. Participants were assigned to a 3 (Mortality Salience of Self vs. Loved One vs. Control) × 2 (Movie Ending: Meaningful vs. Open) factorial design ( N = 187), and then completed measures of death-thought accessibility, mixed affect, boundary expansion, and identification. The two different mortality salience conditions increased death-thought accessibility in the same way. However, only mortality salience of a loved one increased mixed affect for movies with meaningful endings, which, in turn, predicted identification with the protagonist and boundary expansion into the story world. The findings suggest that movies about loss with meaningful endings may invite viewers to emotionally process the fundamental fear of losing a loved one.
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