Abstract
Abstract William Faulkner constructed Absalom, Absalom! with techniques that allowed him to reach beyond his time and place to a historical grasp of problems that arise from a long past and that continue to shape our world nearly a century after the novel's publication. This essay explores that achievement through a double focus: touch and the intricate phenomenology of human sensory experience, combined with voice and the interplay of writing, speaking, and thinking in language.
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