Abstract
The year 2020 was devastating to electronic music festivals and their attendees as the COVID-19 pandemic forced most festivals to cancel their events. Because attendance at these festivals is a sacred experience for many of their participants, this manifested as a loss for participants. Tomorrowland, however, created a virtual festival through filming DJ performances and working with visual effects teams. Tomorrowland Around the World functioned to constitute a global public. This paper will situate the electronic music scene in a spiritual context that promotes the well-being of its participants. Next, the paper will explain how the DJ performances worked with the visual production teams to create a sacred virtual space that promoted unity, love, life, and a general sense of well-being.
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