Abstract

ABSTRACT This paper analyzes the evolution of a small electronic music scene in Brisbane from the mid-1980s to the present. Drawing upon the concept of scene and highlighting its local and trans-local dimensions, we assess how the place-bound attributes of Brisbane (cultural and political history, climate, built form) are still relevant when analyzing the emergence and development of an electronic music scene. The place-bound attributes of Brisbane played a strong role in shaping this scene: the sub-tropical climate enabling outdoor parties; the development of a strong trans-local character due to isolation; ‘scene hopping’ strategies from electronic artists, as well as bands; the hostile political and social environment that characterized Queensland, have all influenced the development of its electronic scene and informed the local/interlocal/virtual dimensions of this scene.

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