Abstract
Canadian televisual exports make up at least 30 percent of the original content on US cable television. And from many angles, Canadian youth-television series look more diverse, more positive, and more attentive to interracial and interethnic issues than do similar US series. This article explores Canadian representations of interracial relationships and situates them within readings of Canada's official multicultural policy. It argues that much of this surface-level positivism about race reveals unconscious anxieties that ultimately manifest in drastic ways of treating “diversity” or “multicultural” subjects.
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