Abstract
Eugen Simion’s Parisian diary proposes a re-presentation of some fictionalized fragments of existence, through writing, as landmarks of a destiny and a path of formation centered around a scriptural self placed within the border between reality – fluid, changing, hard to describe – of the biographical self and the reconfiguration of its data as self narrator/ narratee. The poetic elements of the diary, the reflections on diarist writing compose, in this context, together with the repeated allusions and comments on the writings of Roland Barthes, an individualized writing path, whose characteristics we propose to identify and analyze.
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