Abstract
Coleridge’s early poem Religious Musings is normally taken to illustrate the apocalypticism that appeared in British radical discourse with the outbreak of the French Revolution. In this essay I try to reassess the poem’s apocalyptic commitments. Rather than simply exhibiting apocalyptic tendencies that were common in radical circles, Religious Musings presents a critique of revolutionary apocalypticism. This critiques is visible first of all in the alternative forms of temporal experience that Coleridge clusters alongside the poem’s announcement of the coming apocalypse: the presence of the desultory and of the life in time experienced by the elect unsettles the poem’s apparent apocalypticism. In the end, Religious Musings finds value in temporality: for Coleridge, even at this early stage in his career, events find their primary significance in relation to time. I also suggest that this commitment to temporality should not be read as a loss of hope for political change; rather, by recognizing the constraints that time and history place upon political actors, Coleridge means to salvage the possibility of liberal politics. I conclude the essay by examining the role that Religious Musings plays in Coleridge’s 1796 collection, where it appears as the final poem. Religious Musings provides in its emphasis on temporality a model for organizing and thereby validating the diversity of genres, emotions, and ideas that marks Coleridge’s first book of poetry.
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