Abstract

ABSTRACT This article argues that Ann Yearsley, a milkwoman, mother, and poet, not yet fully recovered into the British literary canon, challenges stereotypical representations of breastfeeding mothers created and perpetuated primarily by male authors in Romantic poetry, philosophy, and medical discourse. Her poem “To Mira, on the Care of Her Infant” depicts breastfeeding as a complex labor that requires skill, intelligence, empathy, and discipline. In this poem, Yearsley rejects the arguments of Romantic writers such as William Wordsworth, Jean-Jacques Rousseau, and William Cadogan, who depict nursing mothers as passive vessels of milk or substitutes for a nurturing “mother nature.” I further locate Yearsley in rich networks of subscribers, printers, and periodicals adjacent to canon authors and texts. Thinking particularly about the conventions of epic and georgic forms, and their relationship to nationalism, labor, and motherhood, I ultimately show how Yearsley recasts the nursing mother as a subject rather than an object.

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