Abstract
In 1993, cultural critic Nelly Richards published a polemic article called “Does Writing Have a Sex?”. From this text I aim, on the one hand, to discuss the question that gives her article a name by stating that no, writing does not have a sex; it has a gender. On the other hand, I am interested in addressing Richards’ non-separatist perspective, which refers to the consideration of female writing as counter-hegemonic, a fact shared with male writings. For Richards, being male is not decisive in the appraisal of writing. Moreover, she points out that feminism is at risk of becoming a ghetto if it does not include writing from counter-hegemonic males. From my vision, while it is true that there are different counter-hegemonic writings, it is not possible to de-gender writing; much less to put female and male writings in the same territory, whether they are heterosexual or homosexual, and even less, to catalogue their productions under “female writing”.
Highlights
CATEDRAL TOMADA: Revista de crítica literaria latinoamericana / Journal of Latin American Literary Criticism ¿Tiene género la escritura?.
Aquella crítica literaria que va tras la caracterización de género de la literatura de mujeres en virtud de tipificar una "escritura femenina", de acuerdo a Richard, esencializa y universaliza lo femenino sin considerar, sigo a la autora, que la representación se arma y desarma al interior del texto literario.
Summary
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