Abstract
My article focuses on migrants, borders and border control in the ideological, political and cultural domains. It considers UK statist attitudes to border control through its representation in The Border Force National Museum, Liverpool; it observes borders disassembling and reassembling in Belgique (2017), a sequence of images by artist Joan Key; finally, it watches as dominant images of migrants are dismantled and reconfigured in the film On the Bride’s Side, by Antonio Augugliaro, Gabriele Del Grande and Khaled Soliman Al Nassiry (2014). These examples illuminate different ways in which migration, borders and boundaries can be broached.
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