Abstract
Codex Sinopensis (Paris, Bibliothèque nationale de France, supplément grec 1286; Gregory-Aland O/023) is one of the earliest examples of an illuminated gospel book. This article examines instances of transferred paint in the codex along with textual and paratextual features to identify three lost miniatures that once adorned the pages of Codex Sinopensis. Thus, our knowledge of one of the earliest cycles of miniatures in a gospel book can be extended with the addition of the three identifiable but now-lost miniatures: The Miracle of the Coin from the Mouth of the Fish (Matthew 17:24–18:4), the Parable of the Labourers in the Vineyard (Matthew 19:25–20:9), and Christ’s Entrance into Jerusalem (Matthew 21:5-12).
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