Abstract
This essay demonstrates that the book of Daniel is not a fixed but fluid text, a collection of traditions that developed over centuries and locations. The three major extant ancient versions of Daniel, represented by the Hebrew/Aramaic Masoretic Text and the “Old Greek” and “Revised Greek” translations, together participate in a complex dance of genres as they move between legend, folk-tale, prayer and song, vision and apocalypse, novella and saint’s life. A greater appreciation of this multiplicity and fluidity complicates our understanding of biblical texts in ways that can enrich interpretation and interfaith dialogue.
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