Abstract
The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruction—a suggestion that troubles twenty-first-century narratives of ecological catastrophe and human responsibility. Although the motif of creation's sympathy with Christ appears throughout medieval theology, Christ III's treatment of this motif raises two sets of questions about medieval depictions of catastrophe, one set focused on represention of ecological catastrophe and one focused on causes of catastrophe. Christ III leads the reader to experience the impossibility of fully understanding catastrophe, forcing the reader to question the individual's role in catastrophe.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.