“These Somalis are not Somalis:” Cup of Art Italian Coffeehouse, Authentic Identities, and Belonging in Hargeisa, Somaliland

Abstract

Abstract Through ethnography of a performatively Western-inspired coffeehouse in a “traditionally” identifying town of Hargeisa in Somaliland, Serunkuma uses Cup of Art Italian Coffeehouse to debate the political-conceptual dilemma—and potential dangers—of the renewed longing for cultural authenticity and “total revolution” in post-colonial Africa. While acknowledging the failure of the dreams that animated the anti-colonial struggle, manifest in the collapse in public service delivery, governance challenges, and civil war, Serunkuma contends that taking this to be the product of the “legacy of late colonialism,” and thus seeking to protect supposedly “authentic” African traditions and religious practices from Western corruption is itself a poisoned chalice. Using Cup of Art, Serunkuma urges humility toward the permanence of a colonial modernity and constant awareness of the new “problem space,” in which actors exercise their agency.