“THERE MUST BE DESIGN”: THE THREAT OF UNBELIEF IN DISRAELI'S LOTHAIR

Abstract

Benjamin Disraeli (1804–1881) has long suffered accusations of insincerity and expediency, especially with regard to his religious position. The mercurial novelist and prime minister famously evaded reference to his theological opinions. His official biographers, W.F. Moneypenny and G.E. Buckle, claimed that an “absolute reticence as to his personal religion was one of [Disraeli's] marked characteristics” (qtd. in Vincent 38). In June of 1832 – early in Disraeli's literary career – a critic in the Monthly Review even charged him with outright irreligion. The subject of the column was Disraeli's new novel Contarini Fleming (1832), which called itself a “psychological romance.” Speaking to the protagonist's various experiments with the hedonism of poetic expression, devout Roman Catholicism, and political pragmatism throughout the novel, the reviewer asked, “What are we to understand by the exemption from ‘sectarian prejudices’? The absence of religion. What is meant by the [artist's] ‘flowing spirit of creation’? Simply that there is no God” (qtd. in Letters 1: 284). Days after the review was published, Disraeli wrote to his sister, Sarah, “I suppose you have read the Review in the Monthly [-] where I am accused of Atheism, because I retire in Solitude to write novels” (Letters 1: 284).