Abstract
One response to the marginalization of lesbian, gay, bisexual, and transgender (LGBT) perspectives in museums has been to make a bid for increased inclusivity. Such a gesture potentially foregrounds universalist notions of LGBT identity and desire. Queer theory, however, understands gender and sexuality as relational constructs, subject to historical and cultural variation. Against this backdrop, what would it mean to theorize the queer museum? This article engages with this question on a number of levels: it draws attention to the distorting effects that certain models drawn from contemporary identity politics generate in museums, especially in exhibitions with a historical focus, and it examines the role played by concepts of "public opinion" on representations of gender and sexuality in museum spaces. It also considers the challenge that queerness presents to the idea of the museum as a normalizing, meaning-making entity, and asks how these concerns are already being addressed in museum practice.
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