Abstract

This chapter shows how an early modern theatre society facilitated forms of public debate and the formation of public opinion which Habermas believed to have been absent at the time for lack of proper media and of an engaged and informed public. Using the case of Amsterdam in the 1530s it argues that a sophisticated interplay of theatrical, visual, oral, manuscript and printed media increased public debate, and helped create an interregional movement and the formation of its leadership. Theatrical means were used by various layers of society to create maximum publicity effects. Finally, the chapter argues that, if societies can be characterized by their dominant communication systems, then, given the example of Amsterdam and many other places in and outside the Low Countries, early modern urban society can be termed a theatre society. Keywords:Amsterdam; early modern theatre society; Low Countries; public debate; public opinion

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