Abstract
As the publisher at Playwrights Canada Press, I find that there is great variety in the kinds of writing that crosses my desk every day. We mainly publish Canadian-authored plays but also scholarly works about Canadian theatre. One of the limitations of publishing about live theatre is that it is impossible to recreate the entire experience of seeing a play in the book. We do our best, sometimes including photographs and even CDs with recorded music, but in an instance where the staging or casting choices or even lighting has been particularly unique, reading the script simply doesn’t have the same impact. The insight that an introduction or companion essay can offer is therefore invaluable when it comes to furthering a reader’s understanding of the script before them.
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