Abstract
AbstractDespite huge popularity and lasting cultural impact, reality television shows such asThe X Factor, a British music competition that started screening in 2004, are seen by many as a cultural nadir. However, in this article I argue that, while reading reality TV as an index of an increasingly superficial, market-based culture makes a great deal of sense, it doesn't tell the whole story. Using the particular music-based dramas ofThe X Factoras a case study, I explore ways in which this show and populist reality television in general might be seen to embody both the predicaments and potential pressure points of contemporary neoliberal culture.
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