The Voice of the Author in Gulliver’s Travels by Jonathan Swift

Abstract

Gulliver’s Travels was first published in 1726 and several reprints, each with minor changes in text, were issued within a few years’ time, with the 1735 edition being generally regarded as the more authentic version. Since then, the popularity of the book has never ceased to increase. Swift was as hostile as Pope and the other founders of the Scriblerus Club to the regime of his time and the Hanoverian court and this attitude is reflected in various ways throughout the book, but Gulliver’s Travels suggests that we should look further than the confines of the eighteenth-century world. This paper explores the author’s voice in the narrative in order to look closely at the impact of Swift’s ideas on the reader. The attempt to identify several roles of the author suggests that the reader is perplexed by the narrator’s attitude and challenged to reformulate the entire perspective on the human race. The article, therefore, surveys the book by looking at different authorial voices used by Swift as a technical device to communicate his radical critique of human nature.