Abstract

This essay aims at adding to the critical debate on Angela Carter and myths from a more technical perspective and discusses her keen interest in the “lo and behold” moment of recognition. I claim that for Carter myths “work” in literary texts by producing a sudden illumination. At that moment, an image reveals itself to be interposed from an older story that has, or used to have, some cultural importance. In order to describe this phenomenon, I am going to refer to Aristotle’s definition of recognition in his Poetics and essays of C.G. Jung, for whom myths are instances of revelation. To prove that Carter was very much interested in the technicalities of recognition, I analyse her non-fiction devoted to Edgar Allan Poe and Charlotte Brontë. Carter’s sample mythic reading of Jane Eyre (1847) and her plans to re-write the last chapter of this novel provide me with enough material to risk a hypothesis regarding how, in her opinion, myths might intertextually enrich the reading experience.

Highlights

  • This essay aims at adding to the critical debate on Angela Carter and myths from a more technical perspective and discusses her keen interest in the “lo and behold” moment of recognition

  • To prove that Carter was very much interested in the technicalities of recognition, I analyse her non-fiction devoted to Edgar Allan Poe and Charlotte Brontë

  • Jane Eyre (1847) and her plans to re-write the last chapter of this novel provide me with enough material to risk a hypothesis regarding how, in her opinion, myths might intertextually enrich the reading experience

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Summary

Introduction

This essay aims at adding to the critical debate on Angela Carter and myths from a more technical perspective and discusses her keen interest in the “lo and behold” moment of recognition. Her Introduction to the Virago edition of Charlotte Brontë’s Jane Eyre (1990, reprinted in Expletives Deleted: Selected Writings) is a prime example of such a method; she places the novel in its cultural, social and historical context but looks for images charged with a mythic resonance that provokes anagnorisis.

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