Abstract
Abstract The heading “vanity theme” has been attributed to various Sumerian and Akkadian literary compositions that would represent a form of wisdom critical of traditional values. The present article revises those compositions arguing that they do not propound a critical view of traditional wisdom but simply reflect on the finitude of human nature. Critical wisdom only surfaces in a limited number of compositions mostly attested in Middle Babylonian sources. The vanity theme is not only tied to critical views of traditional values but is a flexible literary motif that was adapted to different contexts and compositions.
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