Abstract
ABSTRACT The destruction of white supremacist monuments has become a flashpoint in the Black Lives Matter mass movement. However, this essay recounts the construction of monuments by Black activists and artists, including their work to reclaim public space and monument aesthetics. Specifically, I discuss the liberatory memory work of the Equal Justice Initiative and Chicago Torture Justice memorials. I also explore how Black artists, particularly Kehinde Wiley and Kara Walker, have repurposed monumental aesthetics via blackwashing. Finally, I consider the appropriation of monument building by governments and foundations and question the motivations of these powerful entities’ entry into the “monuments movement”.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
