Abstract

Designated a World Heritage site, Blenheim Palace demonstrates the use of technology and gender in tourist destinations to re-package cultural sites. A multi-media exhibit entitled ‘The Untold Story’ updates the site by using new media not to emphasize the great public triumphs, but instead to reveal private family relationships. Told by a projected apparition of the first Duchess’ lady’s maid, Grace Ridley, the exhibit addresses the tourists by including them in intimate, behind-the-scenes views of 300 years of family stories. The ghostly female narrator stands in for the tourist, a feminized outsider fascinated by the gossipy version of family history. Examining ‘The Untold Story’ provides insight into gender negotiations within tourist sites. This particular combination of new media and a female ghost exposes the emphasis in traditional heritage sites on elites, as well as anxiety about the estate’s dependence on servants in the past and tourists in the present.

Full Text
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