Abstract
Is it true, as alleged by the bourgeoisie and modern revisionists, that untitled music is "pure music," without social content or class character? No. The history of the emergence and development of untitled music itself has exposed the reactionary essence and deceptive nature of such idealist fallacies.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
