Abstract

The idea of literariness of Russian culture, of the impact of literature on Russian life, is an axiom of Russian cultural consciousness, which however doesn’t cease to draw the attention of researchers. Russian literature itself, from the 19th century on to this day, manifests this idea, altering the semantics of the life-literature relationship. In Pietzuch’s story the attention is drawn to the metatextual commentary about the role and value of Russian classics (and literature in general), and about the literariness of Russian consciousness – a commentary close to scientific discourse. The writer conceptualises literature as an invariant embodying the spiritual experience of humanity, and reality as an imitation of literature, deprived of structure and meaning. He creates an image of contemporary Soviet reality, which is a travestied variant of the world of Dostoevsky in the novel “Crime and punishment”. The conclusion refers to the development of similar axiologisation of Russian classics in the post-modernist remakes from the 1990s to this day.

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