Abstract
Christine Montalbetti’s 2009 novel, Journée américaine, depicts a road trip, as Donovan travels from Oklahoma to visit his college friend, Tom Lee, who lives on a ranch in Colorado. While the road trip provides a basic structure for the narrative, as the text unfolds, we realize that Montalbetti’s narrator prefers to meander, rather than taking us in a linear manner towards a final destination. The narrator dives into memories, digressions, philosophical reflections, and backstories of seemingly peripheral characters in order to flesh out a complex narrative mesh. Timothy Morton’s notion of “the ecological thought” provides a compelling lens through which we can read Montalbetti’s novel, encouraging us to consider the ecological implications of a text that might not at first strike us as having anything to do with ecology. Journée américaine pushes against the outer edge of the text, spilling over into the world and also demonstrating the ways that the environment participates in the text. Montalbetti’s attention to objects, nonhuman animals, and landscapes further emphasizes how narrative does not necessarily require a human subject at the center. In the end, the narrative mesh of Journée américaine demonstrates a sprawling, complex network of relations that unfolds outward and defies boundaries.
Highlights
Christine Montalbetti’s 2009 novel, Journée américaine, depicts a road trip, as Donovan travels from Oklahoma to visit his college friend, Tom Lee, who lives on a ranch in Colorado
“the ecological thought” provides a compelling lens through which we can read Montalbetti’s novel, encouraging us to consider the ecological implications of a text that might not at first strike us as having anything to do with ecology
Journée américaine pushes against the outer edge of the text, spilling over into the world and demonstrating the ways that the environment participates in the text
Summary
Christine Montalbetti’s 2009 novel, Journée américaine, depicts a road trip, as Donovan travels from Oklahoma to visit his college friend, Tom Lee, who lives on a ranch in Colorado. From that point of view, my reading of Journée américaine will engage in ecological thinking, as a means of: developing an understanding of the novel’s digressive narrative style as ecological; discussing the radical de-centering of narrative perspective as a challenge to anthropocentric or subject-centered storytelling; considering the significance of objects, nonhuman animals, and settings in our experience of and artistic engagement with the world; and thinking about the construction of landscapes through art, writing, and human ways of seeing.
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