The Temporal Continuity: Temple, Theatre and Anthropology

Abstract

Traditionally, temples have been spaces meant for religious and spiritual activities— meditation, sacrifice, devotion and worship. Historically, temples have been understood as the dwelling spaces of spirits/gods. Therefore, they were natural sites of the community socialisation and exchanges. In Hinduism, temples are designed to bring human beings and gods together in a spiritual destination. Gradually, temples evolved and represented the economy, art, belief, faith and traditions of community or communities. All of these elements of the cosmic world such as good, evil and human are incorporated in temples. Basically, these are for reflecting the powers of unknown forces that are present in nature. These elements of the cosmic world are incorporated in the temples along with the cyclic notion of time. The essence of life was represented symbolically through dharma, kama, artha, moksa and karma, and temples became naturally chosen sites to represent these aspects. However, throughout the ages, temples have undergone transformations. Due to this, temples are historical sites for understanding the historical processes and happenings around the temple structures. As time passed, temples became the surviving examples of temporal continuity. Through this article, an attempt has been made to highlight the temporal continuity around a few temples, cultures and shrines of Rajasthan. The constant—continuity and change—pushed temporality as an essential feature which needs to be highlighted for a fuller understanding of the heterogeneous nature of the Thar Desert and its society.