Abstract
In this study, we investigated the expression of the pattern concept in primary education. For this purpose, we chose the concept of rhythm as a means of repeating found in different contexts. In Music and Arts, rhythm is first a way to make compositions. In the case of learning Math, rhythm can aid in comprehending various structures. We used action research in this article – our study contained some trials of learning to understand composition and structures by completing some origami applique tasks; pupils from the 2nd grade were our study participants. The study was held during the following 3 stages: the investigation of simple repeating, the exploration of rhythmical directional changes, and the examination of rhythmical size changes. Fourteen participants took part in the study. The pupils were asked to make some compositions of origami applique based on certain rules set for them. The participants had to also use their experience acquired in the aforementioned tasks for further tasks, which required them to create their own patterns. They had to realize the basic underlying structures for completing such tasks.The data were gathered by collecting paper crafts made by students and by audiotaping the discussions with these children. After employing content analysis, for the sake of visual illustrations of the results, the main features of various task performance were depicted using some typical real examples from the paper crafts of the students.The results showed that 2nd graders were able to replicate a simple rhythm without making mistakes. When creating line-type ornaments, they concentrated on one possible feature to make the rhythm, often mostly ignoring such possibilities as repetitions in number, direction, and size. After gaining some new knowledge during the process of origami applique activities designed to teach the possibilities in changing direction and size, the pupils were eager to apply various structures elsewhere. The children were fast to realize the importance of tidy composition, to solve the arising difficulties, and to generalize the experience in some other contexts.
Highlights
The data were gathered by collecting paper crafts made by students and by audiotaping the discussions with these children
Ritmo supratimui ugdyti buvo specialiai šiam tyrimui sukurta tyrimo veiklų, kurių metu mokiniai buvo pakviesti išmėginti ir aptarti keletą kartojimuisi būdingų savybių (1 pav)
Analizuojant 5 lentelėje pateiktas mokinių darbų iliustracijas taip pat matyti, kad kompozicijos transformacija dėl krypties nenuoseklumo gali atsirasti nesupratus, kaip komponuojant aplink centrą sujungti aplikuojamos dėlionės pradžią su pabaiga; neatkreipus dėmesio į trikampės formos posūkio ir posūkio kartu su atspindžiu netapatumą; neatidžiai parinkus elementų priklijavimo vietas. „Tas figūras labiausiai buvo sunku suklijuoti tiesiai per liniją“
Summary
Straipsnyje analizuojama pasikartojimus skirtinguose kontekstuose vienijanti ritmo sąvoka ir jos supratimo ugdymas pradinėse klasėse. The participants had to use their experience acquired in the aforementioned tasks for further tasks, which required them to create their own patterns They had to realize the basic underlying structures for completing such tasks. Kad tarpdisciplininis ritmo supratimo ugdymas dėl įvairiapusiškumo, mąstymo ir judėjimui konceptualizuoti gali turėti ryškesnį poveikį. Ritmo supratimo ugdymas skirtinguose kontekstuose tradiciškai vyksta pagal konkretaus meno / mokslo logiką. Ritmo supratimo ugdymas atliekant origamio aplikacijos užduotis antroje klasėje ponavimą, ir struktūrų analizę. Kokios sistemingos veiklos tiktų pradinių klasių mokiniams integruotam ritmo komponavimo ir kartojimosi struktūros tyrimui?. Todėl keliant probleminį klausimą minimos sistemingos veiklos reikalavimus atitinka ritmo, kaip kompozicijos priemonės, tyrimas atliekant origamio aplikacijos užduotis. Straipsnio tikslas: aprašyti ir išanalizuoti ritmo supratimo ugdymą antroje klasėje, atliekant tikslingas origamio aplikacijos užduotis.
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