Abstract

This article discusses some of the major issues that arise in the reconstruction and interpretation of the Suigong xu inscription, including a discussion of the authenticity issue from the perspective of Western Zhou calligraphy, and provides a contextual reconstruction of the bronze inscription as well as an English translation. The author argues that the Suigong xu calligraphy is consistent with the typical calligraphic style of the late Western Zhou bronze inscriptions represented by the Sanshi pan and Maogong ding rather than with the style of the middle Western Zhou bronze inscriptions, in particular, those dated to the reign of King Gong. It also argues that the main body of the Suigong xu inscription consists of two paragraphs that end with the two exclamatory sentences jue wei wei de 厥亹唯德 and with (jue) hungou yi wei xie tian (厥) 婚媾亦唯協天 respectively, and that both sentences share the same sentence structure jue 厥 … wei 唯 …

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