Abstract
The global enunciative framework of theatrical literary communication consists of locutor ι (extra-textual: the author), the «theatrical text» and addressee ι (extra-textual: the reader). Within the «theatrical text» we distinguish two types of speeches: i) didaskalia (spatial, temporal and sce nic indications), which forms imaginary background of the utterance, and ii) monologues, dialogues and three-way conversations, which contibute to the unfolding of the act. This work deals with the study of various types of utterance structure in Euripides and Seneca's plays. The corpus of this study consists of plays with a common subject in Euripides and Seneca, i.e. the Trojan Women, Hercules, Hippolytus/Phaedra and the Phoenician Women.
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