The Southeast Asian Art Historian as Ethnographer?

Abstract

This article examines the contributions of anthropology to the study of modern and contemporary Southeast Asian art history. In looking at a number of studies of Southeast Asian artists by anthropologists, it aims to ask questions about the nature of contemporary art in Southeast Asia in relation to the discipline of anthropology. In particular, it questions the relevance of ethnographic texts in the study of images and how the reliance of ethnography on notions of cultural difference and the ‘other’ impacts on interpretations of living artists' work. Taking Vietnamese performance artists as an example, the article looks at a case where ethnography may act as a substitute for the lack of written art historical sources. The question then is not only of the appropriateness of applying ethnographic methods to Southeast Asian art but also of the appropriateness of Southeast Asian art to the study of ethnography and art history.