Contributors

Abstract

Previous article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreCarlos Garrido CastellanoCarlos Garrido Castellano is Lecturer of Spanish, Portuguese and Latin American Studies at University College Cork. He has taught widely on Spanish, Lusophone and Latin American visual culture. His research interests focus on visual culture, critical theory, activism and collaborative artistic practices in postcolonial contexts.Daria GhiuDaria Ghiu lives and works in Bucharest. She wrote a book on the history of the Romanian Pavilion at the Venice Biennale (IDEA Publishing House, 2015) and is an art critic and radio author. Since 2016 she is an associate professor at the University of Bucharest.Vasif KortunVasif Kortun is a curator, writer and teacher in the field of contemporary art – its institutions and spatial practices. He was the founding director of Research and Programs of SALT, Istanbul. A recipient of the Award for Curatorial Excellence from Bard College, he is the chairman of the board of the Foundation for Arts Initiatives.Ana LongoniAna Longoni is a writer, researcher and professor at the University of Buenos Aires and teaches in the Independent Studies Program of the MACBA, Barcelona. She studies the intersections between art and politics in Argentina and Latin America from the mid-twentieth century to the present. Currently, she is the director of public activities for Museo Reina Sofia, Madrid.Michael A. MelMichael A. Mel is of the Mogei tribe in the Mt Hagen area in the Highlands of Papua New Guinea (PNG). He completed a PhD at Flinders University, Adelaide and was Deputy Vice-Chancellor at the University of Goroka, PNG. He is currently a manager for Pacific and international collection at the Australian Museum, Sydney.Serubiri MosesSerubiri Moses is an independent writer and curator. His curatorial work, writing and research has been presented internationally in Kampala, Hong Kong, Cali, Nairobi, Accra, Johannesburg and Berlin. He was on the curatorial team for the 10th Berlin Biennale for Contemporary Art, ‘We don’t need another hero’, in 2018.Vijay PrashadVijay Prashad is director of Tricontinental: Institute for Social Research. He first wrote about Naeem Mohaiemen’s work for journal TAKE on art (New Delhi) in 2010 and appears in Mohaiemen’s film Two Meetings and a Funeral (2017).Filipa RamosFilipa Ramos is editor-in-chief at art-agenda, and lectures at Kingston University, London and Institut Kunst, Basel. Ramos is co-curator of Vdrome, was associate editor of Manifesta Journal and contributed to dOCUMENTA 13 and documenta 14. She edited Animals (Whitechapel Gallery/MIT Press, 2016) and curates ‘Animalisk’ at Bildmuseet Umeå, Sweden in 2019.Jerssi Esperança Restino PauloJerssi Esperança Restino Paulo is an Angolan student in African Studies at Universidade de Lisboa. In the future, she would like to work with NGOs that support Africa’s development or in matters related to African history.Charles StankievechCharles Stankievech is an artist and Director of Visual Studies, Faculty of Architecture, University of Toronto. From 1996 to 2004 he worked as a licensed atomic energy technician for the world’s largest materials engineering firm that did forensic analysis on architectural, industrial and military assets. He is a contributing editor to Afterall.Nora A. TaylorNora A. Taylor is Alsdorf Professor of South and Southeast Asian art at School of the Art Institute of Chicago. She is author of Painters in Hanoi: An Ethnography of Vietnamese Art (Hawaii, 2004/NUS Press, 2009) and numerous articles and co-editor of Modern and Contemporary Southeast Asian Art: An Anthology (Southeast Asia Program Publications, an imprint of Cornell University Press, 2012) among other edited volumes.Reiko TomiiReiko Tomii is an independent art historian who investigates post-1945 Japanese art in global and local contexts. She is co-director of PoNJA-GenKon (www.ponja-genkon.net), a scholarly listserv. Among her latest publications is Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan (MIT Press, 2016).Clare VealClare Veal is a lecturer in the MA Asian Art Histories programme at LASALLE College of the Arts, Singapore where she conducts research on Southeast Asian photography, art and visual culture with a focus on Thailand. She received her PhD in art history from the University of Sydney in 2016.Kaelen Wilson-GoldieKaelen Wilson-Goldie is a writer based in New York and Beirut. She is contributing editor for Bidoun and writes regularly for Artforum, Bookforum, Aperture and Frieze. Her first book, Etel Adnan (Lund Humphries), on the paintings of the Lebanese-American poet Etel Adnan, was published in 2018. Previous article DetailsFiguresReferencesCited by Afterall Volume 47Spring/Summer 2019 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/704207 © 2019 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved.PDF download Crossref reports no articles citing this article.