Abstract
AbstractThis study proposes a sociotechnical framework to study digital media and social movements and uses it to analyze the 2019 protests in Hong Kong. Informed by actor-network theory, this framework examines media technology as infrastructure, practice, and text, and discusses its relation to other actors/actants in the network of social movements. Based on qualitative analysis of live streaming sessions and in-depth interviews with journalists and audiences, I identify and explicate the major actors/actants related to mobile live streaming and argue that mobile live streaming became an obligatory passage point through which actors/actants reached other parts of the network and realized their goals. The assemblage of heterogeneous actors/actants not only contributed to the solidarity and longevity of the movement but also brought risks. This study extends the line of research on media technology and social movements by proposing a framework that examines one specific media technology while maintaining an ecological lens.
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